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A thirty-second brand spot for a fictional payment card: Manhattan through a fisheye lens, the card in close-up, a skateboarder beside a line-drawn walker, cartoon faces and speech bubbles on a building, a tunnel of neon signs, a pixel-art street, and the card held over the harbour at dusk.

Brands · strategy, scripts, filming, owned channels

Brands

Brands, products and owned channels. The strategy, the script and the shoot, made in our own room, on an agreed cadence.

Brands

Brands, products and owned channels. The strategy, the script and the shoot, made in our own room, on an agreed cadence.

What we make for brands

Creative strategy. The brand argument and manifesto, positioning and messaging, naming and verbal identity, and the concept a campaign is built on.

Scripts. Scripted films, launch campaigns, brand documentaries and founder stories, researched before a line is written, with every claim traced to its source.

Studio and filming. Our own room, crew and gear in HSR Layout, or the same crew on location: talking head and interview, podcasts, short documentaries, stills and creative assets, and long pieces cut into short ones.

Owned channels. Brand channels fronted or faceless, made end to end, founder-led content, employee and expert voices, and newsletters, bought as an agreed monthly output.

Websites. Brand and product sites, launch and campaign pages, and event sites, built to your direction and handed over for you to own.

Alongside the work

What most agencies leave to you, taken on as an add-on to the work or on its own.

Rights and usage. Who owns what we make, and the usage window, territory and platforms for everyone who appears in it, settled before the shoot rather than discovered after it.

Creator partnerships. Creators matched on what they actually persuade people of rather than on reach, with disclosure written into the brief, the caption and the video, and the creators told in the first message that the brand is paying us.

Claims checked before they ship. Every figure and claim in a campaign checked against its source, and the sources kept, so the work stands up when it is questioned.

Another market. Campaigns that land in a named culture rather than reading as translated work, and audits of campaigns already running.

What you are buying

Pieces made to a standard, on a cadence you agreed, for a channel you own. The full list of what the studio makes is on the studio page.

How it is priced

Creative strategy and positioning are a fixed fee, agreed after a scoping conversation. Scripted films and campaigns are budgeted per piece, and filming is priced by the day, crew included. Owned channels are bought as an agreed number of pieces a month. Websites are priced on a rate card. Work alongside is quoted before we start.

Where to start

Send the brief, or the problem if there is no brief yet: what the brand has to make people believe, and by when.

[email protected]

We reply within two working days, and if the answer is no we say so in writing.